Censuras en el teatro virreinal: Sor Juana Inés de la Cruz entre teatrófilos y teatrófos.

Abstract

Is Mexican colonial theatre merely an imported version of Golden Age Spanish theatre, as well as the latter’s mechanisms of censorship? Sorjuana’s work lends itself to an original and nuanced response considering the treatment of the pro­fane (including eroticism), disguise, and New World themes