Notas sobre la estética de la ceguera en Mario Montalbetti: o de la querella entre ver y decir

Abstract

This article investigates the aesthetics of the blindness of the poem in the unspecific writing of Mario Montalbetti. To do this, it emphasizes the distinction between seeing and saying as a gesture of resistance to the authority of the linguistic sign and, in turn, a commitment to meaning as the possibility of a minimal word.